Relaxing with big brothers Trot and Frankie...I rejoice that there are owls...they represent the stark twilight and unsatisfied thoughts which all men have. ~Henry David Thoreau
Tuesday, January 20, 2009
Sunday, January 18, 2009
The Beach House
The Beach House by Mary Alice Monroe had been languishing on Mt. TBR for some time, and a bookmark at page 32 marked an earlier attempt to read about Caretta Rutledge and her coming of age story. I say coming of age because despite the main character age in years one immediately thinks of when a book is described as such, I think we can come of age at any time in our lives when we shed what came before and look ahead with renewed purpose.
From Publishers Weekly
After losing her high-powered advertising job in Chicago, Caretta Rutledge grudgingly returns to her low-country roots at her mother's behest. Cara has long resented her mother, who focused her maternal efforts more on looking after the annual loggerhead turtle spawn than on protecting herself and her children from their abusive father. But when Cara learns that her mother is ill, she must lay her bitterness aside and try to make amends. Cara starts by restoring her mother's small beach house and joining the same turtle brigade she resented while growing up. In the process, she reconnects with an old friend and finds love in the arms of a local boat owner and naturalist. This poignant read won't disappoint fans of so-called "Southern Fiction;” the South, which represents both poison and tonic, is eloquently portrayed here, and its healing properties inevitably come to the fore. Just enough information about the loggerhead turtles and their spawning cycle opens each chapter, swiftly engaging the reader from the outset, and all of the integral characters are richly developed. With its evocative, often beautiful prose and keen insights into family relationships, Monroe's latest (following The Four Seasons) is an exceptional and heartwarming work of fiction that is bound to please fans of women's fiction and romances alike.
I finished The Beach House this morning after we’ve been through a week of the coldest weather in years and as another six inches of snow was blanketing the yard; however, I felt the warmth of the South Carolina sun, felt the sand between my toes, and heard the steady and true sounds of the ocean. The book opens with this passage:
It was twilight and a brilliant red sun lazily made its hazy descent off the South Carolina coast. Lovie Rutledge stood alone on a small, rolling sand dune and watched as two young children with hair the same sandy color as the beach squealed and cavorted, playing the age-old game of tag with the sea. A shaky half smile lifted the corners of her mouth. The boy couldn’t have been more than four years of age yet he was aggressively charging the water, the stick in his hand pointing outward like a sword. Then, turning on his heel, he ran back up the beach chased by wave. Poor fellow was tagged more often than not. But the girl… Was she seven or eight? Now there was a skilled player. She danced on tiptoe, getting daringly close to the foamy wave, instinctively knowing the second to back away, taunting the water with her high laugh.
What memories that stirred up for me. Has it really been twenty-five years since I stood and watched my son and daughter playing the same game on a Cape Cod beach?
This book stirred up many memories not because my mother and I were ever at loggerheads, but because on these cold wintery days I have read how Cara learns not to fight what her mother is going through but to help her through it. As daughters, our first instinct to fight the inevitable and it does take strength to step outside ourselves to help. Even after many years have passed, a turn of phrase in a book of fiction can pop the top on the box safely stored in our hearts, and the raw emotions claw their way back.
My family life and circumstances are and were nothing like Cara’s, but the exploration of the mother-daughter bond, that most dynamic of relationships fraught with loggerhead moments, made this a standout reading experience for me.
Prologue EpigraphLoggerhead. 1. Latin: Caretta caretta. A tropical sea turtle with a hard shell and a large head. 2. A stupid fellow; blockhead. 3. At loggerheads; in disagreement; in a quarrel.
DedicationThis book is dedicated to my fellow members of the Isle of Palms/Sullivan’s Island Turtle Team [list of names] and to all Turtle Volunteers here and elsewhere who walk the beaches every morning to help our beloved loggerheads.
EpigraphPerchance you have worried, despaired of the world, meditated the end of life, and all things seem rushing to destruction; but nature has steadily and serenely advanced with the turtle’s pace. The young turtle spends its infancy within its shell. It gets experience and learns the way of the world through that wall. While it rests warily on the edge of its hole, rash schemes are undertaken by men and fail. French empires rise or fall, but the turtle is developed only so fast. What’s a summer? Time for a turtle’s egg to hatch. So is the turtle developed, fitted to endure, for he outlives twenty French dynasties. One turtle knows several Napoleons. They have no worries, have no cares, yet has not the great world existed for them as much as for you?
-Henry David Thoreau Journal August 28, 1856
Finished January 18, 2009
Rating: 4 of 5 (General Fiction)
Pages: 477
Publisher: Mira
Copyright: 2002
Format: Trade Paperback
Sunday, January 4, 2009
Tis The Season
Library JournalLandvik's first holiday novel features her signature sense of humor and quirky characters. Young socialite Caroline Dixon gets out of rehab and attempts to live a more stable life. Having alienated everyone she knows, she goes into hiding and tries to reach out to people from her past.
Based on reviews on other blogs, I downloaded Tis the Season by Lorna Landvik in the early morning hours of Jaunary 1. While I like the format of the book (epistolary) and thought that some of the gosspi column snippets were clever, I was disappointed in this book. I enjoyed the epistolary format but think that this particular plot and the characters needed more development that the epistolary format allowed.
Finished on 1/2/2009
Rating: 3 of 5 (Romance Scale)
Pages: 240
Publisher: Ballantine
Copyright: 2008
Format: Kindle
Thursday, January 1, 2009
A New Year, A Blank Page, and Promises to Keep
Again, we are at the convergence of looking back and hoping forward. I did (for me) do a lot of reading in 2008 but for a number of reasons didn't keep things up to date here at Owlsfeathers. So, I begin anew.
My basic reading goal is the same as ever: To read what I want when I want. That said, I do feel the need (after trying to reconstruct my 2008 reading) to pay a little closer attention to what I am reading and have read during the year. There are many reading challenges out there on various blogs, and I've informally lised them in my pen and paper reading journal just to see where the books will land as they fall open to me.
OK...sounds like a plan.
Happy New Year!
My basic reading goal is the same as ever: To read what I want when I want. That said, I do feel the need (after trying to reconstruct my 2008 reading) to pay a little closer attention to what I am reading and have read during the year. There are many reading challenges out there on various blogs, and I've informally lised them in my pen and paper reading journal just to see where the books will land as they fall open to me.
OK...sounds like a plan.
Happy New Year!
Saturday, July 19, 2008
Two by Marisa de los Santos
May brought an incredible back-to-back reading experience for me with Love Walked In and Belong to Me by Marisa de los Santos. I have a few passages of note on both books, but as for reviews, I am going to direct you to Lesley's Book Nook for her reviews of Love Walked In and Belong to Me--Les has captured the essence of both these books in her wonderful reviews!
Passages
Words to live by:
I've always been more than a little proud of myself for having been fourteen and deeply benighted about almost everything, but having had the sense to recognize what is surely a universal truth: Jimmy Stewart is always and indisputably the best man in the world, unless Cary Grant should happen to show up.
How a story "feels" (haven't you lovingly stroked a book?):
On the third day, just before they went home, the kids in Clare's class took the holiday gifts they'd made for their parents off the walls and out of the cases in which they'd been displayed. Clare took down "Annike and the Bears" and slid her palm lightly across the cover. A story is only words living inside a person's head, she thought, floating and invisible. But she'd written the words down and make a book, an object that took its place in the world of objects.
On self-help books:
...the question turned me into a first-name-only, hypothetical character in the pages of a self-help book. Exactly the kind of book we all disdain because it reduces to formulae our irreducible human selves, but which we at least think about buying (thus abetting the book's piranhalike devouring of the New York Times bestseller list). That time we had a terrible cold and were listlessly switching channels on the tiny television we hardly ever watch and even forget we have, we happened upon Oprah discussing such a book and found that, as much as we hated to admit it, the book rang true--at least some it rang somewhat true, truer than we'd ever expected.
On love:
There's a kind of holiness to love, requited or not, and those people who don't receive it with gratitude are arrogant beyond saving.
On journal writing:
Getting the word right mattered, but so did describing his voice when he talked and capturing the feeling that filled her as he spoke and after he spoke. She thought about that word "capture," how it put a writer on par with a fur trapper or big-game hunter, and how it implied that stories were whole and roaming around loose in the world, and a writer's job was to catch them. Except of course that a writer didn't kill what she caught, didn't stuff it and hang it on a wall; the point was to keep the stores alive.
Passages
On the first (real) day of fall:
The next day turned out to be the first day of fall, one of my favorite days of the year. I'm not talking about the actual autumnal equinox, which had come and gone a week earlier and had felt pretty much like all the summer days preceeding it. What I mean by the first day of fall is that day when you suddenly understand with your whole body that the season has changed. When the air feels snappier against our skin and the sky's blueness turns wistful, and the humming of insects shifts pitch, and you just know like you know your own name that summer is over.
On cell phones:
...my admittedly old-ladyish uneasiness with cell phone culture (you know what I mean, it blurs the boundaries between the public/private realms, discourages quiet introspection, results in abominable driving, fills the world with silly noises, et cetera)....
On the action of love:
"What are we going to do?" As soon as I said it, I understood its power, this single, simple question, what I had spent the last two days stumbling toward. I asked the question, and what had frightened me so much was suddenly no longer a threat. It was something for us to do together, to make part of us.... Everything turned on the word "we," a synonym for love, the thing that saves us all.
On brain vacations:
...you could get used to the not-thinking, the haphazard floating through days, your brain lounging around like a tourist in a loud shirt, grasping nothing heavier than a magazine and a drink (umbrellaed, water beaded, pineaple hanging off its rim like an elephant ear), lulled by the sound of seagulls and ocean waves.
Love Walked In
4.5/5 (General Fiction scale)
Plume [Penguin Group imprint] (2005)
Trade Paperback
307 pages
Finished: June 2008
Dedication: For David Teague: You;re the Nile, You're the Tower of Pisa
Belong To Me
4/5 (General Fiction scale)
Wm. Morrow (2008)
Hardcover
388 pages
Dedication: For Charles and Annabel, my sleek brown otters
Forward from Here
Reeve Lindbergh, daughter of Charles and Anne Morrow Lindbergh, used the occasion of her sixtieth birthday to publish a new collection of essays entitled, Forward from Here: Leaving Middle Age—and Other Unexpected Adventures. (I often wonder at the necessity of the “coloned” book title. Would we not understand the title without this seemingly parenthetic explanation?) The Hippie lifestyle in Vermont as described in the first essay, "Hippies in the Hot Tub," didn’t exactly mirror my 1970s experiences; however, Lindbergh’s thoughtful passages regarding the who’s and the what’s of passing life experiences grabbed me and didn’t let go until the last page.From Publishers Weekly
In this collection of poignant essays, Lindbergh struggles to extract meaning, and even solace, from an imperfect everyday reality. Heading her list of concerns is her looming 60th birthday and the change and decline that it symbolizes-the departure from home of her children, a benign brain tumor, the therapeutic drug culture that is the hallmark of old age in America. Despite her anxieties and losses, she manages to find in fragile, flawed things-a broken sea shell, a heron that's lost a leg-a kind of beauty. Lindbergh also explores her fraught relationship with her father, the aviator Charles Lindbergh, "an angry, restless, opinionated perfectionist" whose "very presence alternately crowded and startled everyone," and grapples with the discovery that he had secretly fathered seven children-her half siblings-in Europe. Set mostly amid the tranquil surroundings of her Vermont farmstead, Reeve's essays are suffused with a sly, gentle humor that supports her quiet resolve to carry on.
Passages
On relationships:
There is something wonderful about unexpected affection, whether it develops between an octogenarian and an eight-year-old, a staunch conservative Republican and a progressive liberal Democrat, or a Yankee farmer and a hippie homesteader. It delights me that every so often the good feeling that two people have for each other is too strong for their biases and their upbringing, and defeats both in a flood of fellow feeling neither can explain.
On aging:
Fortunately, fears fed by the imagination tend to lose energy and diminish over time. Now I’m close to sixty, and though I don’t always recognize the face I see in the mirror, something has changed in the way I think about aging and dying. I have an increased awareness of my own aging. The process increasingly interests and amazes me, annoys and irritates me, and sometimes it still frightens me, too, but much, much less than it used to. I find that along with the annoyance and irritation there is amusement—how often and in how many places can I lose my glasses in a day?—and that in the place of the old fear for my own physical survival there is an ongoing very real sadness at the absence of the friends and family members who have died before me.
On love and loss:
As I journey on, I carry my lost loved ones with me: my sister, my mother, and all the others. I have learned over the years that I can do this, that love continues beyond loss. It continues not abstractly but intimately, and it continues forever. My experience has also made me understand that loss is inevitable, and that loss, too, continues forever, right along with love.
On “ongoingness”:
There have been one or two horrible times in my life, as there are in too many lives, when the “ongoingness” my mother taught me to value was interrupted in a radical way and neither daily rhythms nor the discipline of writing could restore my balance. An event can be so cataclysmic that it pulls its surviving victims right out of life to plummet into a deep and terrible darkness where there is no solid ground and where day-to-day comforts are meaningless. I have learned by living through a few such times, however, that daily life has a strength and a staying power even more persistent than the terrible downward forces of catastrophe. Dailiness outlasts despair. For a while the rhythms of daily life may seem to be submerged, even drowned in disaster, but that is never true. Sooner or later, after mornings and evenings and mornings and evenings and mornings and evenings again, however many of them it takes, and never by dishonoring reality or by displacing grief, never by rushing the inevitability of feeling, meaning always returns.
On sustenance as we age:
I’m convinced that what we really need most to sustain us as we grow older, more than any drug on the market, is this kind of appreciative awareness, along with compassion, a sense of humor, and simple common sense. Side effects will include a certain amount of pain, a fair share of sorrow, recurring doses of discomfort great and small, and an immeasurable, priceless quantity of peace of mind.
There are many more passages that I have marked, but I will leave it to your reading of Forward from Here to find the words that sing out to you.
~*~
After hearing Ms. Lindbergh speak at Porter Square Books on May 7, I am looking forward to reading Under a Wing and No More Words. And I am eagerly hunting down her children’s books written in rhyme!
Forward from Here would be a thoughtful reading for everyone, not just those of us approaching or in our 60s. Any reader could find direction in learning to embrace the everyday, to appreciate the details of life from the hissing of a teakettle to the crunch of stone underfoot on a daily walk, or to make friends with that most important person in life--yourself.
5/5 (Non-fiction scale)
Simon & Schuster (2008)
Hardcover
220 pages
Finished: May 2008
Dedication: To Nat
Saturday, July 12, 2008
The Third Angel
Opening a new Alice Hoffman novel is like opening the most anticipated gift of the year. You know you will again be swept away into a world like no other and meet characters unlike any you’ve met before. The Third Angel is Alice Hoffman at her gift-giving best. The worlds of 1999, 1966 and 1952 bring us coincidentally interwoven heroines joined one to the other by that cruelest of fate—being in love with the wrong man. And characters? How about a ghost, a hotel room and a heron! Hoffman tips the balance of narrative momentum as she takes us back in time or forward in time if you do, as Ms. Hoffman herself suggests, and read the interwoven stories back to front.From Publishers Weekly
Starred Review. In this elegant and stunning novel, veteran heartstring-puller Hoffman (Here on Earth; Seventh Heaven) examines the lives of three women at different crossroads in their lives, tying their London-centered stories together in devastating retrospect. High powered New York attorney Maddy Heller arrives in 1999 London having had an affair with Paul, her sister Allie's fiancé,; she must now cope with the impending marriage, and with Paul's terminal illness—which echoes the girls' mother's cancer during their childhood. Hoffman then shifts to heady 1966 London and to Frieda Lewis, Paul's future mother, who falls for a doomed up-and-coming songwriter knowing he will break her heart. The narrative then shifts further back, to 1952 and to Maddy and Allie's future mother, Lucy Green. A bookish 12-year-old wise beyond her years, Lucy sails with her father and stepmother from New York to London for a wedding. There, she becomes an innocent catalyst to a devastating event involving a love triangle. Hoffman interweaves the three stories, gazing unerringly into forces that cause some people to self-destruct (There was no such thing as too much for a girl who thought she was second best) and others to find inner strength to last a lifetime.
Quotes
On love:
There was good love and there was bad love. There was the kind that helped raise a person above her failings and there was the desperate sort that struck when someone least wanted or expected it.
On fairy tale love doomed from the start – Maddy and Paul have met purely by chance at Kensington Palace leaving flowers in memory of Princess Diana, and Maddy recalls the stories of Charles and Diana’s courtship:
When Maddy first heard the story, shed wanted to shout, What on earth is romantic about doomed love? But she’d said nothing. Only that Diana had been a foot not to know whom she was marrying in the first place. Maddy had seen an interview in which Price Charles had been asked if he was in love. “Whatever love is,” he had said with Diana sitting right next to him. She should have gotten up and walked away then.
The fatal first step into love:
It was so easy. She opened the door for him and the rest was like disappearing into the dark night to a place where no one could find you. No footsteps, no fingerprints, no evidence of any kind.
Clues forward and back, back and forward:
It was possible to read the story two ways: Front to back, the heron returned to his heron wife and the world of the sky. Back to front, he stayed with his one true love on earth.
Who is the third angel among us? Frieda’s father, a doctor who made house calls, said this of angels:
...there was the Angel of Life, the Angel of Death, and then there was the Third Angel. “It was either the Angel of Life or the Angel of Death who would ride in the back of the car when my father went on house calls, but he never knew which one it was until he arrived at his destination. Even then he said he was often surprised. It was hard to tell the difference between the two sometimes.” …and the third one? “Well, he’s the most curious. You can’t even tell if he’s an angel or not. You think you’re doing him a kindness, you think you’re the one taking care of him, while all the while, he’s the one who’s saving your life.”
Alice Hoffman on loving the wrong man (Hallmark Magazine May 2008):
The wrong man is who we believe we deserve. He’s the man we think we can save. He’s the one only we can understand or fix or relate to. He’s an outlaw, an outsider, a fallen angel, a blank slate, a charmer, a man we go back to despite his flaws. Just as there are women who stay with the wrong man, there are just as many who leave him, and still others who realize that, for a little while at least, the wrong man was, for reasons only they can determine, right for them.
Quotes
On love:
There was good love and there was bad love. There was the kind that helped raise a person above her failings and there was the desperate sort that struck when someone least wanted or expected it.
On fairy tale love doomed from the start – Maddy and Paul have met purely by chance at Kensington Palace leaving flowers in memory of Princess Diana, and Maddy recalls the stories of Charles and Diana’s courtship:
When Maddy first heard the story, shed wanted to shout, What on earth is romantic about doomed love? But she’d said nothing. Only that Diana had been a foot not to know whom she was marrying in the first place. Maddy had seen an interview in which Price Charles had been asked if he was in love. “Whatever love is,” he had said with Diana sitting right next to him. She should have gotten up and walked away then.
The fatal first step into love:
It was so easy. She opened the door for him and the rest was like disappearing into the dark night to a place where no one could find you. No footsteps, no fingerprints, no evidence of any kind.
Clues forward and back, back and forward:
It was possible to read the story two ways: Front to back, the heron returned to his heron wife and the world of the sky. Back to front, he stayed with his one true love on earth.
Who is the third angel among us? Frieda’s father, a doctor who made house calls, said this of angels:
...there was the Angel of Life, the Angel of Death, and then there was the Third Angel. “It was either the Angel of Life or the Angel of Death who would ride in the back of the car when my father went on house calls, but he never knew which one it was until he arrived at his destination. Even then he said he was often surprised. It was hard to tell the difference between the two sometimes.” …and the third one? “Well, he’s the most curious. You can’t even tell if he’s an angel or not. You think you’re doing him a kindness, you think you’re the one taking care of him, while all the while, he’s the one who’s saving your life.”
Alice Hoffman on loving the wrong man (Hallmark Magazine May 2008):
The wrong man is who we believe we deserve. He’s the man we think we can save. He’s the one only we can understand or fix or relate to. He’s an outlaw, an outsider, a fallen angel, a blank slate, a charmer, a man we go back to despite his flaws. Just as there are women who stay with the wrong man, there are just as many who leave him, and still others who realize that, for a little while at least, the wrong man was, for reasons only they can determine, right for them.
****
My delight in opening yet another Hoffman gift was enhanced by attending a reading/signing on April 22 where Ms. Hoffman spoke about third angels (the people who come into our lives unannounced and who make changes in our lives…third angels that we don’t even realize until much later who they were and what they have done for us) and the wrong man (who may truly have been the right man all along). Alice Hoffman started out as a voracious young reader who now delights us all with her writing. She says she was “lost in the magic of reading and is now lost in the magic of writing.” And the ghost in Room 708? Real.5/5 (General Fiction Scale)
Shaye Areheart Books [Random House Imprint] (2008)
Hardcover
278 pages
Finished: April 2008
Sunday, May 25, 2008
Dunkin' Karma
Everyday work life fell into a tidy routine. Out at just the right time to be ahead of the school buses crisscrossing town; out at just the right time to be ahead of the long coffee lines; out at just the right time to enjoy a half hour of quiet in my office before the whole office erupted in the daily hum of activity. It was all so perfect—even down to Dee, seeing me pull into the Dunkin’ Donuts parking lot, having my coffee waiting on the counter. Then, I did the unthinkable and changed the routine.One morning I passed by an unusual early morning crowd at Dunkin’ and opted for Panera—just this once, I said under the pressure of having to finish preparing for a nine o’clock meeting. Walking in, I noticed the calm of the moment—a young man locking his bicycle before ambling in for his coffee; two elderly women deep in conversation; a gentleman of a certain age with The New York Times opened in front of him. These people impressed me—they all were doing their “morning thing” but it all looked so relaxed. I was hooked. Panera was close enough to work that I could spend a half hour there, sipping my morning brew and reading! I was going to make a great trade—a half hour of work preparation for a half hour of reading and coffee.
Then, to make the trade seem even better, my Kindle arrived from Amazon. No longer would I be slave to a tote bag with four or five different books. (You never knew what would strike your fancy as you sat down to enjoy your half hour gift!) Now, I had book choices at the ready in a lightweight, ready-to-go format. Even if I didn’t like my current book choices, I could always add another—right on the spot through the wonders of Kindle WiFi. Oh, mornings couldn’t get any better than this.
What’s that? We’re closing the corporate office? My commute will now be a telecommute? But wait—I have this new morning routine, and it’s really neat.
Well, I now have an even neater morning routine—totally relaxed, don’t even have to put on make-up. I bunny slipper to the kitchen, grab a coffee from the Keurig machine, and head to my newly created home office. Oh, and my Kindle? A lifesaver when it came to clearing out the spare-room-now-an-office of the accumulated piles of books—read and unread. Available on Kindle? Goes in donation pile. Amazing the space that a 10 ounce, 7x5” device can create.
I’m waiting now for the ceiling fan to be installed in my office. When my son comes to do the job, maybe we’ll celebrate with a Dunkin’ Donuts coffee!
The Memory of Water
As is often the case, the cover drew me to The Memory of Water by Karen White—there was just something about the steely blue-green that guided my hand to pick this book up from the New in Fiction table instead, perhaps, the book next to it.From the back cover
On the night their mother drowns trying to ride out a storm in a sailboat, sisters Marnie and Diana Maitland discover there is more than one kind of death. There are also the deaths of innocence, of love, and of hope. Both harbor secrets about what really happened that night—secrets that will erode their lives as they grow into adulthood. After ten years of silence between the sisters, Marnie is called back to the South Carolina Lowcountry by Diana’s ex-husband, Quinn. His young son has returned from a sailing trip with his emotionally unstable mother, and he is deeply disturbed and refusing to speak. In order to help the traumatized boy Marnie must reopen old wounds and bring the darkest memories of her past to the surface. And she must confront Diana…before they all go under.
Quotes
Marnie, reacting to her decision first to leave to find her own life in Arizona, then to return to help her nephew:
She walked away quickly, her shoes kicking up gravel and sand and old crumbled shells, crushing them beneath her feet like dried-up dreams and memories she thought had long ago been relegated to dust.
Marnie, reflecting on the beauty of the marsh:
I watched as the creek surged at high tide, muddy brown and astonishingly strong. Despite everything, I still saw the beauty of the marsh and found respect for the strength that underlay its loveliness. My grandfather once told me that our Lowcountry marsh was like a mother to the mainland, buffering the continent from frequent storms like a mother would protect her children, and acting as the ocean’s incubator by nurturing the nourishing the filter feeders at the bottom of the food chain. I had liked this analogy, assuring me that nurturing mothers did exist after all, and I found comfort in the knowledge that I had been lucky enough to be born in this place of liquid arms and maternal love.
Marnie, remembering the wonder of believing in Santa Claus and the moment a child no longer believes:
I walked down the stairs, following the scent of roasting turkey and apple pie, feeling as giddy as a child. But there were no cookies for Santa or any other holiday traditions besides the opening of presents and the wonderful turkey dinner prepared by Quinn. He’d informed me that a year before Gil had approached him and calmly explained that there was no reason for his parents to stay up late on Christmas Eve to put together toys and lay out presents from Santa. Apparently Gil had ceased to believe in Santa following a forage into Quinn’s desk drawer to find a stapler when he had emerged instead with Gil’s letters to Santa, neatly tied with a ribbon. As sad as I’d been to hear that Gil’s childhood had grown a bit shorter, the story had also had the effect of fluttering my heart with the detail of Quinn keeping the letters and tying them with a ribbon.
Diana, remembering a love of books shared with her sister:
I stood and moved to the bookshelf I kept in the corner of my studio. It was filled with all the books I had ever owned. I‘d never been a huge reader like Marnie, but after she’d learned to read, it was to her voice that I fell asleep every night. Even now, when I pick up Anne of Green Gables or National Velvet, I hear Marnie’s voice reading to me. I have those books still, an innocent part of my childhood I shared with my sister that I could never give up.
Once settled into the multiple narrators’ voices (the sisters—Marnie and Diana; the ex-husband, Quinn; and the young son, Gil), I found this story of a family looking to heal and be whole again very captivating. Somewhat bothersome was the constant reminders of the “terrible thing that happened at sea that night.” That something went terribly wrong on a nighttime sail is the event that hurls the family’s story into full spin; constantly reminding me of this as the healing progresses was annoying.
Each chapter of The Memory of Water is headed with a quote which I like to go back and reread at the end of the chapter to see how/if the quote reinterprets the chapter just read. Here, out of context, are some I flagged:
The human heart is like a ship on a stormy sea driven about by winds blowing from all four corners of heaen. ~ Martin Luther
When beholding the tranquil beauty and brilliancy of the ocean’s skin, one forgets the tiger heart that pants beneath it; and would not willingly remember that this velvet paw but conceals a remorseless fang. ~ Herman Melville
For all at last return to the sea—to Oceanus, the ocean river, like the ever-flowing river of time, the beginning and the end. ~ Rachel Carson
I finished the Memory of Water sitting at the Emerson Inn in Rockport, MA. The early April day was steely gray, and the ocean beyond the cove was filled with stormy whitecaps—the same setting that I have seen brilliant with sunlight reflecting from the crests of waves…memories of water.
Each chapter of The Memory of Water is headed with a quote which I like to go back and reread at the end of the chapter to see how/if the quote reinterprets the chapter just read. Here, out of context, are some I flagged:
The human heart is like a ship on a stormy sea driven about by winds blowing from all four corners of heaen. ~ Martin Luther
When beholding the tranquil beauty and brilliancy of the ocean’s skin, one forgets the tiger heart that pants beneath it; and would not willingly remember that this velvet paw but conceals a remorseless fang. ~ Herman Melville
For all at last return to the sea—to Oceanus, the ocean river, like the ever-flowing river of time, the beginning and the end. ~ Rachel Carson
I finished the Memory of Water sitting at the Emerson Inn in Rockport, MA. The early April day was steely gray, and the ocean beyond the cove was filled with stormy whitecaps—the same setting that I have seen brilliant with sunlight reflecting from the crests of waves…memories of water.
Emerson Inn parlor.

The view outside.
NAL Accent (2008)
Trade Paperback
315 pages
Finished: April 2008
Dedication: This book is dedicated to the original Highfalutin, and to all those who lost so much in Hurricane Katrina.
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