Two quotes from a recently finished, hug-it-when-last-page-is-turned book...
A seasonal observation...
It was one of those perfect fall days when the air is cool enough to wake you up but the sun is also kissing your face.
Babies...
It's a good thing babies don't give you a lot of time to think. You fall in love with them and when you realize how much they love you back, life is very simple.
I rejoice that there are owls...they represent the stark twilight and unsatisfied thoughts which all men have. ~Henry David Thoreau
Showing posts with label Local Author. Show all posts
Showing posts with label Local Author. Show all posts
Sunday, January 18, 2015
Wednesday, June 16, 2010
Seaworthy by Linda Greenlaw
Sebastian Junger, author of The Perfect Storm, described Linda Greenlaw as "one of the best captains, period, on the entire east coast." Now, after ten years away from the helm, Greenlaw has gone to sea again and chronicles her return to the Grand Banks in Seaworthy - A Sword Captain Returns to the Sea.
From Publishers Weekly (via amazon)
After a 10-year hiatus from blue-water fishing, Greenlaw went cautiously to sea, seeking a payday and perspective on her life. Thanks to The Perfect Storm phenomenon (both book and film), she was celebrated as America's only female swordfish boat captain. She was now also a mother and an author who relished a new challenge, traveling 1,000 miles from her Maine home with an eager crew of four guys—three of them experienced sailing buddies—looking for swordfish on the 63-foot, six-and-a-half–knot steel boat Seahawk on the Grand Banks of Newfoundland. It was a 52-day trip—and a sensational misadventure. Nearly everything that could go wrong, did, including her arrest for illegally fishing in Canadian waters. Greenlaw chronicles it all—a busted engine, a malfunctioning ice machine, squirrelly technology—with an absorbing mix of nautical expertise and self-deprecation. After inspecting the Seahawk, Greenlaw calls it rough, but stable and capable. Then she writes, "Although I was referring to the boat, I couldn't help thinking the same could be said of her captain." From mishaps to fish tales, Greenlaw keeps her narrative suspenseful. Between bad luck and self-doubt, she moves from experience to wisdom, guiding both crew and readers on a voyage of self-affirmation.
Passages
On returning to the sea
The obvious risks inherent in commercial fishing--like those to life, limb, and livelihood--are concerns of mere mortals. Real fishermen risk other things that are less easily explained. In my present situation, the risks involved in returning to something I'd once felt so passionate about were many and not as tangible as fears for personal safety or pocketbook. I risked falling out of love with fishing itself. I'm good at catching fish. Is this why I like to do it? What if I were to suddenly realize that I did not enjoy the hunt? What if I were absolutely turned off by blood and guts? What if my heart didn't race with the tugging of a fish on the line? And, God forbid, what if I'd lost the ability to catch fish? My entire identity and self-definition were at stake. Disillusionment, should it occur, would hit hard. The half-full glass was not my style. Perhaps the same scenario could be seen as enlightenment. Either way I spun it, learning the truth was worth the risk, I concluded.
On making decisions
Maturity can't hold a candle to youthfulness. Unless, I considered, it's a mental/emotional thing. This endurance test would certainly go beyond physical. Mentally I needed to be stronger and wiser. Decisions were once based on gut reaction. I'd often made the right decision for the wrong reason. I'd done things purely from the strength of knowing that I could. Now maybe I would be more thoughtful with the realization of the possibility that perhaps I could not. I hoped that the past ten years had taught me something. I must be smarter now than I was when I'd last captained a swordboat. But what about quickness of mind? Would I react to emergencies fast enough? I had always prided myself on my mental reflexes in the face of danger or disaster. I had always been confident beyond reason. Maybe it was healthier to be wiser, more mature, and less confident.
On swordfish (vs. clams)
When I say "I love swordfish," I am not necessarily commenting on them as a meal, although I surely do enjoy them in that capacity. Swordfish are the most interesting creatures! They are fascinating and intriguing in their unique combination of fish and sword--like a unicorn, but real. The facts and figures surrounding swordfish perhaps explain what makes them so worthy of my life-time pursuit of them. The speed at which they travel, the distances they cover in their migration, and their strength all contribute to the quality most frequently attributed to them, elusiveness. I can't imagine a life spent digging clams or trapping slime eels--they're just so...ordinary. What's to know about a clam? You traipse around the clam flats looking for holes in the surface of the mud. One hole, one clam, as my Aunt Gracie used to say. You see a hole, you dig, and you find a clam. Big deal. A clam does not possess the ability to dodge the digger. Swordfish, in contrast, are mysterious and challenging and sexy. You never hear stories about the giant clam that got away. Clams have no personality. You've seen one clam, you've seen them all.
On a relationship with fish
This game is a dance of sorts, or a collaboration. We, the fish and I, both have our jobs to do. Any given day it's a toss-up which of us is doing our job better. Sometimes I feel like a gallant saltwater cowboy busting broncos. Other times I just wait for my horse to be shot out from under me. Damn fish. I laughed to myself. Our relationship is weirder than any I'd had with humans of the opposite sex. And I'd had some weird ones.
On a sunrise
Darkness waded in cautiously and headed west. Hesitating waist-deep, then plunging into the murky chill, the diving night splashed light onto the opposite horizon, which swam like spawning salmon up the riverlike sky. The sun hatched as if it were a baby chick, pecking from within the shell until fully risen, yellow and warm, and as unsure as I was. Quite a grand entrance....
Ahhh phrases
Yes, if Linda Greenlaw writes it, I will read it.
Rating: 4/5 (Non-fiction Scale)
Dedication: This book is dedicated to the hardworking men of the Seahawk: Arthur Jost, Tim Palmer, Dave Hiltz, Mike Machado, and Nate Clark.
First line: The cell door closed with the mechanical, steely sound of permanence.
Books by Linda Greenlaw
THE HUNGRY OCEAN: A Swordboat Captain's Journey
ALL FISHERMEN ARE LIARS: True Adventures at Sea
THE LOBSTER CHRONICLES: Life on a Very Small Island
Jane Bunker Mystery Series
SLIPKNOT
FISHERMAN'S BEND
Co-written with her mother, Martha Greenlaw
RECIPES FROM A VERY SMALL ISLAND
From Publishers Weekly (via amazon)
After a 10-year hiatus from blue-water fishing, Greenlaw went cautiously to sea, seeking a payday and perspective on her life. Thanks to The Perfect Storm phenomenon (both book and film), she was celebrated as America's only female swordfish boat captain. She was now also a mother and an author who relished a new challenge, traveling 1,000 miles from her Maine home with an eager crew of four guys—three of them experienced sailing buddies—looking for swordfish on the 63-foot, six-and-a-half–knot steel boat Seahawk on the Grand Banks of Newfoundland. It was a 52-day trip—and a sensational misadventure. Nearly everything that could go wrong, did, including her arrest for illegally fishing in Canadian waters. Greenlaw chronicles it all—a busted engine, a malfunctioning ice machine, squirrelly technology—with an absorbing mix of nautical expertise and self-deprecation. After inspecting the Seahawk, Greenlaw calls it rough, but stable and capable. Then she writes, "Although I was referring to the boat, I couldn't help thinking the same could be said of her captain." From mishaps to fish tales, Greenlaw keeps her narrative suspenseful. Between bad luck and self-doubt, she moves from experience to wisdom, guiding both crew and readers on a voyage of self-affirmation.
Passages
On returning to the sea
The obvious risks inherent in commercial fishing--like those to life, limb, and livelihood--are concerns of mere mortals. Real fishermen risk other things that are less easily explained. In my present situation, the risks involved in returning to something I'd once felt so passionate about were many and not as tangible as fears for personal safety or pocketbook. I risked falling out of love with fishing itself. I'm good at catching fish. Is this why I like to do it? What if I were to suddenly realize that I did not enjoy the hunt? What if I were absolutely turned off by blood and guts? What if my heart didn't race with the tugging of a fish on the line? And, God forbid, what if I'd lost the ability to catch fish? My entire identity and self-definition were at stake. Disillusionment, should it occur, would hit hard. The half-full glass was not my style. Perhaps the same scenario could be seen as enlightenment. Either way I spun it, learning the truth was worth the risk, I concluded.
On making decisions
Maturity can't hold a candle to youthfulness. Unless, I considered, it's a mental/emotional thing. This endurance test would certainly go beyond physical. Mentally I needed to be stronger and wiser. Decisions were once based on gut reaction. I'd often made the right decision for the wrong reason. I'd done things purely from the strength of knowing that I could. Now maybe I would be more thoughtful with the realization of the possibility that perhaps I could not. I hoped that the past ten years had taught me something. I must be smarter now than I was when I'd last captained a swordboat. But what about quickness of mind? Would I react to emergencies fast enough? I had always prided myself on my mental reflexes in the face of danger or disaster. I had always been confident beyond reason. Maybe it was healthier to be wiser, more mature, and less confident.
On swordfish (vs. clams)
When I say "I love swordfish," I am not necessarily commenting on them as a meal, although I surely do enjoy them in that capacity. Swordfish are the most interesting creatures! They are fascinating and intriguing in their unique combination of fish and sword--like a unicorn, but real. The facts and figures surrounding swordfish perhaps explain what makes them so worthy of my life-time pursuit of them. The speed at which they travel, the distances they cover in their migration, and their strength all contribute to the quality most frequently attributed to them, elusiveness. I can't imagine a life spent digging clams or trapping slime eels--they're just so...ordinary. What's to know about a clam? You traipse around the clam flats looking for holes in the surface of the mud. One hole, one clam, as my Aunt Gracie used to say. You see a hole, you dig, and you find a clam. Big deal. A clam does not possess the ability to dodge the digger. Swordfish, in contrast, are mysterious and challenging and sexy. You never hear stories about the giant clam that got away. Clams have no personality. You've seen one clam, you've seen them all.
On a relationship with fish
This game is a dance of sorts, or a collaboration. We, the fish and I, both have our jobs to do. Any given day it's a toss-up which of us is doing our job better. Sometimes I feel like a gallant saltwater cowboy busting broncos. Other times I just wait for my horse to be shot out from under me. Damn fish. I laughed to myself. Our relationship is weirder than any I'd had with humans of the opposite sex. And I'd had some weird ones.
On a sunrise
Darkness waded in cautiously and headed west. Hesitating waist-deep, then plunging into the murky chill, the diving night splashed light onto the opposite horizon, which swam like spawning salmon up the riverlike sky. The sun hatched as if it were a baby chick, pecking from within the shell until fully risen, yellow and warm, and as unsure as I was. Quite a grand entrance....
Ahhh phrases
Ripe and one sliver shy of full, the cantaloupe moon shone a flashlight beam along our path as we steamed east through the Gulf of Maine.
Far from worrying, I didn't have a care in the world as the Seahawk glided effortlessly along, bobbing slightly as if nodding her head or tapping a foot to some unheard music.
My mood wasn't made any lighter by the bickering that rose from below. The crew sounded like young brothers in the backseat on a long car ride.
When he sang a ballad about the hardships of life at sea and harsh treatment by superiors, I felt as transparent as the gal in "Killing Me Softly."I am a fan of Linda Greenlaw's writing and have attended three of her book readings/signings. Each time as I sat in the audience, I marveled at the tenacity and strength of this seemingly slight woman standing in front of me. She fishes, hauls lobster traps, cooks, manages crews of salty fisherman (some loyal and hardworking; others, not so). And, she writes--from the most technical details on commercial fishing and seamanship, to the mysterious escapades of Jane Bunker, and finally to a turn of phrase about the moon or the ocean that causes you to stop reading and just be in the moment of that phrase.
Yes, if Linda Greenlaw writes it, I will read it.
Rating: 4/5 (Non-fiction Scale)
Dedication: This book is dedicated to the hardworking men of the Seahawk: Arthur Jost, Tim Palmer, Dave Hiltz, Mike Machado, and Nate Clark.
First line: The cell door closed with the mechanical, steely sound of permanence.
Books by Linda Greenlaw
THE HUNGRY OCEAN: A Swordboat Captain's Journey
ALL FISHERMEN ARE LIARS: True Adventures at Sea
THE LOBSTER CHRONICLES: Life on a Very Small Island
Jane Bunker Mystery Series
SLIPKNOT
FISHERMAN'S BEND
Co-written with her mother, Martha Greenlaw
RECIPES FROM A VERY SMALL ISLAND
Friday, April 16, 2010
Making the Rounds with Oscar by David Dosa, M.D.
Some time ago there was a human interest feature at the end of the nightly newscast which featured Oscar the cat. Once I saw that Dr. Dosa was publishing a book, Making the Rounds with Oscar, I added it to my library reserve list and eagerly awaited its arrival.
From Publishers Weekly
Dosa, a geriatrician with a strong aversion to cats, tells the endearing story of Oscar the cat, the aloof resident at a nursing home who only spends time with people who are about to die. Despite hearing numerous stories about Oscar's uncanny ability to predict when a patient's time is nearing, Dosa, ever the scientist, remains skeptical. Slowly, he starts to concede that there may be something special about Oscar. Dosa starts to pay more attention to the cat's decidedly odd behavior, noticing that Oscar seeks out the dying, snuggles with the patient and family members until the patient passes; with others, he smells the patient's feet, sits outside a closed door until admitted, or refuses to leave a dying patient's bed. Dosa discovers how powerfully Oscar's mere presence reassures frightened or grieving family. Ultimately, the good doctor realizes that it doesn't matter where Oscar's gift comes from; it's the comfort he brings that's important. This touching and engaging book is a must-read for more than just cat lovers; anyone who enjoys a well-written and compelling story will find much to admire in its unlikely hero.
Passages
On coping
Watching a loved one's health fail is hard. Most families eventually find a way to accept it and move on. Some can even do it with grace and dignity. Mary always spoke of one son who was ceaselessly cheerful in the fact of his mother's dementia. "How do you do it?" she asked him one day. "Oh, I said good-bye to my mother a long time ago," he told her. "Now I've just fallen in love with this little lady!"
On dog person vs. cat person
Ida looked up at me with a knowing smile. "You're not much of a cat person, are you?" "I can't say that I am, but I'm trying to be." Then Ida openly laughed. "I knew it! I could tell you were more of a dog person. You're too damn nice."
On Oscar's demeanor
He generally kept a safe distance and left my mother alone, but when he'd wander by and she would stop to talk to him, well, he stopped too. He never stayed long and he never cuddled up to her--Oscar was more like a visiting dignitary than a house cat--but he always stopped as if to hear her out. Visiting dignitary indeed.
On coping...again
"Because you want them back in the worst possible way...you just want your parent back, the one who signed the report cards, the one who made the Thanksgiving dinner. But you can't." Knowing that, and coming to terms with that knowledge, is really the most difficult part. A relationship between two people is made up, for the most part, of invisible things: memories, shared experiences, hopes, and fears. When one person disappears, the other is left alone, as if holding a string with no kite. Memories can do a lot to sustain you, but the invisible stuff of the relationship is lost, even as unresolved issues remain: arguments never settled, kind words never uttered, things left unsaid. They become like a splinter beneath the skin--unseen, but painful nevertheless. Until they're exposed, coping with the loss is impossible.
On the reason for cats
I think it's one of the reasons we've kept cats at Steere House all these years. The patients like them, for the most part, either because they hark back to some forgotten relationship they may have had with a pet, or maybe because they are non-judgmental. A cat doesn't care what you do for a living or whether you're rich or poor. A cat doesn't care if you're able to remember its name or if you're up to date with the latest news. But we were beginning to realize that cats mean something to the families, too, long before Oscar started his vigils. They seem to help reassure family members who enter into the nursing home with some trepidation. For a lot of visitors, the reality of nursing home existence can be a rather harsh wake-up call. All the more reason to take comfort in something familiar. Even if it is a cat.
On how Oscar does it
"I feel like the more I learn, the less I know. I mean, why does he do it?" asked Dr. Dosa. "Who knows, Dr. Dosa? There's probably some scientific explanation but in the end, does it really matter? He's there when it counts."
On Oscar
Is it outlandish to suggest that Oscar, a cat residing on a floor where patients with end-stage dementia routinely die, has merely learned how to pick up on a specific smell emitted in the final hours of a patient's lifespan? Perhaps, but I like to think of Oscar as more than a ketone early-earning system. Ever since I was a child, listening intently as my grandfather read bedtime stories from Rudyard Kipling's Just So Stories, I have imbued animals with human characteristics and frailties. It could simply be that we see ourselves in them--the best of ourselves, sometimes. On a floor where the staff has gone to great lengths to make the dying experience tolerable for the residents and their families, I'd like to think Oscar embodies empathy and companionship. ...I don't really pretend to know the nature of Oscar's special gift--I am not an animal behaviorist nor have I rigorously studied the why and how of his behavior. Whether he is motivated by a refined sense of smell, a special empathy, or somethine entirely different--your guess is a good as mine. But I believe we can all learn from his example.
If you read this book, I am sure the stories of the Steere House residents and their families will stay with you for quite some time as will the mystery of how Oscar does what he does. The news stories about Oscar made him into a bit of a Grim Reaper character; in reality, he is a welcomed comforter and companion. The subtitle of the book, The Extraordinary Gift of an Ordinary Cat, sums up what you need to know about Oscar who reminds us all to be present and to live in the moment every day.
I particularly liked the chapter pages with the paw prints:
Rating: 4/5 (Non-fiction Scale)
From Publishers Weekly
Dosa, a geriatrician with a strong aversion to cats, tells the endearing story of Oscar the cat, the aloof resident at a nursing home who only spends time with people who are about to die. Despite hearing numerous stories about Oscar's uncanny ability to predict when a patient's time is nearing, Dosa, ever the scientist, remains skeptical. Slowly, he starts to concede that there may be something special about Oscar. Dosa starts to pay more attention to the cat's decidedly odd behavior, noticing that Oscar seeks out the dying, snuggles with the patient and family members until the patient passes; with others, he smells the patient's feet, sits outside a closed door until admitted, or refuses to leave a dying patient's bed. Dosa discovers how powerfully Oscar's mere presence reassures frightened or grieving family. Ultimately, the good doctor realizes that it doesn't matter where Oscar's gift comes from; it's the comfort he brings that's important. This touching and engaging book is a must-read for more than just cat lovers; anyone who enjoys a well-written and compelling story will find much to admire in its unlikely hero.
Passages
On coping
Watching a loved one's health fail is hard. Most families eventually find a way to accept it and move on. Some can even do it with grace and dignity. Mary always spoke of one son who was ceaselessly cheerful in the fact of his mother's dementia. "How do you do it?" she asked him one day. "Oh, I said good-bye to my mother a long time ago," he told her. "Now I've just fallen in love with this little lady!"
On dog person vs. cat person
Ida looked up at me with a knowing smile. "You're not much of a cat person, are you?" "I can't say that I am, but I'm trying to be." Then Ida openly laughed. "I knew it! I could tell you were more of a dog person. You're too damn nice."
On Oscar's demeanor
He generally kept a safe distance and left my mother alone, but when he'd wander by and she would stop to talk to him, well, he stopped too. He never stayed long and he never cuddled up to her--Oscar was more like a visiting dignitary than a house cat--but he always stopped as if to hear her out. Visiting dignitary indeed.
On coping...again
"Because you want them back in the worst possible way...you just want your parent back, the one who signed the report cards, the one who made the Thanksgiving dinner. But you can't." Knowing that, and coming to terms with that knowledge, is really the most difficult part. A relationship between two people is made up, for the most part, of invisible things: memories, shared experiences, hopes, and fears. When one person disappears, the other is left alone, as if holding a string with no kite. Memories can do a lot to sustain you, but the invisible stuff of the relationship is lost, even as unresolved issues remain: arguments never settled, kind words never uttered, things left unsaid. They become like a splinter beneath the skin--unseen, but painful nevertheless. Until they're exposed, coping with the loss is impossible.
On the reason for cats
I think it's one of the reasons we've kept cats at Steere House all these years. The patients like them, for the most part, either because they hark back to some forgotten relationship they may have had with a pet, or maybe because they are non-judgmental. A cat doesn't care what you do for a living or whether you're rich or poor. A cat doesn't care if you're able to remember its name or if you're up to date with the latest news. But we were beginning to realize that cats mean something to the families, too, long before Oscar started his vigils. They seem to help reassure family members who enter into the nursing home with some trepidation. For a lot of visitors, the reality of nursing home existence can be a rather harsh wake-up call. All the more reason to take comfort in something familiar. Even if it is a cat.
On how Oscar does it
"I feel like the more I learn, the less I know. I mean, why does he do it?" asked Dr. Dosa. "Who knows, Dr. Dosa? There's probably some scientific explanation but in the end, does it really matter? He's there when it counts."
On Oscar
Is it outlandish to suggest that Oscar, a cat residing on a floor where patients with end-stage dementia routinely die, has merely learned how to pick up on a specific smell emitted in the final hours of a patient's lifespan? Perhaps, but I like to think of Oscar as more than a ketone early-earning system. Ever since I was a child, listening intently as my grandfather read bedtime stories from Rudyard Kipling's Just So Stories, I have imbued animals with human characteristics and frailties. It could simply be that we see ourselves in them--the best of ourselves, sometimes. On a floor where the staff has gone to great lengths to make the dying experience tolerable for the residents and their families, I'd like to think Oscar embodies empathy and companionship. ...I don't really pretend to know the nature of Oscar's special gift--I am not an animal behaviorist nor have I rigorously studied the why and how of his behavior. Whether he is motivated by a refined sense of smell, a special empathy, or somethine entirely different--your guess is a good as mine. But I believe we can all learn from his example.
If you read this book, I am sure the stories of the Steere House residents and their families will stay with you for quite some time as will the mystery of how Oscar does what he does. The news stories about Oscar made him into a bit of a Grim Reaper character; in reality, he is a welcomed comforter and companion. The subtitle of the book, The Extraordinary Gift of an Ordinary Cat, sums up what you need to know about Oscar who reminds us all to be present and to live in the moment every day.
I particularly liked the chapter pages with the paw prints:
Here's a glimpse of Oscar:
Rating: 4/5 (Non-fiction Scale)
Labels:
2010,
Aging,
Library,
Local Author,
Local Setting,
Non-fiction,
Sisyphus
Wednesday, March 31, 2010
One Good Dog by Susan Wilson
Tami Hoag in her back cover blurb for One Good Dog by Susan Wilson says, "Nowhere can we see the potential for our own redemption more clearly than in the eyes of our dog...."
From Booklist
Adam March is a married father and successful businessman poised to become a CEO—that is, until the day his troubled past catches up with him. Soon Adam has lost his job, his family, and his house and is living in a lonely apartment working off his community-service sentence in a local men’s shelter. Adam’s story alternates with that of Chance, a former fighting pit bull who has escaped, lived on the streets, and is now back at the animal shelter. When circumstances require Adam to adopt and care for Chance, he comes to realize the joy and comfort of animal companionship. Adam’s and Chance’s tale is one of love, loyalty, and determination, as both fight to begin new lives and relationships.
Several times I was tempted to set this book aside because of some of the descriptions of events, especially in the chapters narrated by Chance, the dog. I hung in there, however, and am glad I did. This novel of responsibility, redemption, and love brought both tears and smiles.
Brothers and sisters, I bid you beware of giving your heart to a dog to tear. -Rudyard Kipling
Rating: 4.5/5 (Fiction Scale)
From Booklist
Adam March is a married father and successful businessman poised to become a CEO—that is, until the day his troubled past catches up with him. Soon Adam has lost his job, his family, and his house and is living in a lonely apartment working off his community-service sentence in a local men’s shelter. Adam’s story alternates with that of Chance, a former fighting pit bull who has escaped, lived on the streets, and is now back at the animal shelter. When circumstances require Adam to adopt and care for Chance, he comes to realize the joy and comfort of animal companionship. Adam’s and Chance’s tale is one of love, loyalty, and determination, as both fight to begin new lives and relationships.
Several times I was tempted to set this book aside because of some of the descriptions of events, especially in the chapters narrated by Chance, the dog. I hung in there, however, and am glad I did. This novel of responsibility, redemption, and love brought both tears and smiles.
Brothers and sisters, I bid you beware of giving your heart to a dog to tear. -Rudyard Kipling
Rating: 4.5/5 (Fiction Scale)
Monday, September 7, 2009
Prime Time by Hank Phillippi Ryan
Prime Time is the first in the Charlotte McNally series by Hank Phillippi Ryan, a Boston investigative television reporter. Coincidentally, Charlotte is a 40-something investigative TV reporter for "Channel 3" in Boston; and in Charlotte’s character, Ryan has struck a perfect balance between a too-smart-for-her-own-good and too-ditsy-to-be-believable crime solving protagonist.Product Description from Amazon
In the cutthroat world of television journalism, seasoned reporter Charlotte McNally knows that she'd better pull out all the stops or kiss her job goodbye. But it's her life that might be on the line when she learns that an innocent-looking e-mail offer resulted in murder, mayhem and a multimillion-dollar fraud ring. All too soon her investigation leads her straight to Josh Gelston, who is a little too helpful and a lot too handsome. Charlie might have a nose for news, but men are a whole other matter. Now she has to decide whether she can trust Josh…before she ends up as the next lead story.
An opening that pulls you right nto Charlotte’s story:
Between the hot flashes, the hangover and all the spam on my computer, there’s no way I’ll get anything done before eight o’clock this morning. I came in early to get ahead, and already I’m behind.
Describing a co-worker:
Her real name is Margaret Isobel DeRosiers Green, but on the radio she’s Maysie Green, sports reporter extraordinaire. She can hold her own in any locker room, and amazingly for the news biz, doesn’t possess a backstabbing bone in her body. She doesn’t care if the glass is half-full or half-empty—she looks forward to the fun of drinking the rest of it, and then the fun of filling it up again.
The Universe IMs:
I put the mirror back on its pushpin holder, and give it a conspiratorial wink. “Wish me luck, magic mirror on the wall,” I implore. It falls and crashes to the floor, scattering jagged shards of glass all over the rug. Ha-ha. Breaking news. The universe now has instant messaging.
Prime Time was a great first in the series, and I’m looking forward to the next two installments: Face Time and Air Time.
Finished: September 6, 2009
Rating: 4 (Mystery Scale)
Pages: 288
Publisher: Mira
Copyright: 2009
Format: Kindle
Sunday, March 8, 2009
Shelter Me by Juliette Fay
Shelter Me by Juliette Fay has received a lot of publicity in and around Boston not only because it’s a Target Bookmarked and Indie Next pick but also because Fay is a local author and local bookstores have the book featured in displays. Here is the back cover plot recap:Four months after her husband’s death, Janie LaMarche remains undone by grief and anger. Her mourning is disrupted, however, by the unexpected arrival of a builder with a contract to add a porch onto her house. Stunned, Janie realizes the porch was meant to be a surprise from her husband—now his last gift to her. As she reluctantly allows construction to begin, Janie clings to the familiar outposts of her sorrow—mothering her two small children with fierce protectiveness, avoiding friends and family, and stewing in a rage she can’t release. Yet Janie’s self-imposed isolation is breached by a cast of unlikely interventionists: her chattering, ipecac-toting aunt; her bossy, overmanicured neighbor; her muffin-bearing cousin; and even Tug, the contractor with a private grief all his own. As the porch takes shape, Janie discovers that the unknowable terrain of the future is best navigated with the help of others—even those we least expect to call on, much less learn to love.
Passages
On letter writing:
Janie offered to scribe a letter for Beryl, who politely declined. “I’m very old-fashioned,” explained Beryl. “A typed letter is so cold and impersonal. It can be sent to so many people at once! Only a handwritten letter can convey the sense that the writer is actually with you, saying the words to you alone. When you write a letter with your own hand, you give a tiny piece of yourself.”
Janie, on recognizing her feelings:
It took a moment for Janie to realize that she was in the picture, too, standing to the side and a little behind Tug, her gaze directed toward him. She was smiling, but there was more than that. There as a look of…what? …’Gratitude’, she realized, studying the picture. ‘That’s me being grateful.’
On bridging emotional gaps:
Aunt Jude finished typing and glanced over at Janie. A look passed between the two women that, Janie realized, had never been transmitted before. It wasn’t about either of them or their struggles with each other. It wasn’t anger or disappointment or dismissal. It was a simple recognition of the real world in which they lived, both of them, together.
And for those of us who have traveled to the Cape with small children eager to get to Nana and Grandfather’s house:
“Pretty soon we’re gong to see a huge bridge, the Sagamore. When we cross over, we’ll be on Cape Cod. Can you watch for the bridge?” …When the Sagamore Bridge rose up in front of them like a metal giant looming out of the scrub pines, Dylan screamed in Janie’s ear, “I SEE IT!”
Marisa de los Santos has a blurb on the front cover of Shelter Me; and if you are a fan of her Love Walked In and Belong to Me, you’ll find much of the same satisfaction in Janie LaMarche’s story. Emotionally wounded and distant characters carefully and slowly come together; the children of the story do real kid things; friendship bonds disparate characters and makes other characters become stronger in their life journey; and mothers, daughters, aunts, cousins each grow in their knowledge and love for the other. One quibble: Some editing down from its 415-page length would have made this a 4/5 book for me.
Finished on February 11, 2009
Rating: 3.5/5 (Fiction Scale)
Pages: 415
Publisher: Avon
Copyright: 2009
Format: Trade Paperback
Dedication: For Tom, with great love.
Epigraph: None
Saturday, January 31, 2009
Still Alice
Months ago, Still Alice by Lisa Genova was featured in one of the Boston-focused magazines—Improper Bostonian, I think. I clipped the article and had been carrying it with me, haunting every bookstore in a 20-mile radius to try to get it. As I found out, this original version was self-published and not likely to be found on the shelves where I was looking. Happily, Simon and Schuster published this book, and it is now easily found everywhere.Kirkus Reviews
First novel efficiently showcases the experience of developing early-onset Alzheimer's. In 24 months, 49-year-old Harvard psychology professor Alice Howland exchanges the role of high-achieving teacher, wife and mother of three for that of a disoriented, inarticulate, forgetful shell of her former self. Stricken much earlier than most by this progressive, degenerative disease for which there is no cure, Alice loses her profession, independence, clarity and contact with the world with shocking rapidity in a narrative that sometimes reads more like a dramatized documentary than three-dimensional fiction. Genova, an online columnist for the National Alzheimer's Association, has a brisk style and lays out the facts of the disease-statistics, tests, drugs, clinical trials-plainly, often rather technically. The responses to Alice of her three grown-up children, who are also at risk of the disease; the struggles of her equally high-flying husband, a Harvard biologist; and Alice's own emotional responses, including fear, suicidal thoughts, shame and panic, are offered in semi-educational fashion, sometimes movingly, sometimes mechanically. Alice's address to the Alzheimer's Association Annual Dementia Care Conference is an affecting final public statement before her descent into fog and the loving support of her children. Worthy, benign and readable, but not always lifelike.
First novel efficiently showcases the experience of developing early-onset Alzheimer's. In 24 months, 49-year-old Harvard psychology professor Alice Howland exchanges the role of high-achieving teacher, wife and mother of three for that of a disoriented, inarticulate, forgetful shell of her former self. Stricken much earlier than most by this progressive, degenerative disease for which there is no cure, Alice loses her profession, independence, clarity and contact with the world with shocking rapidity in a narrative that sometimes reads more like a dramatized documentary than three-dimensional fiction. Genova, an online columnist for the National Alzheimer's Association, has a brisk style and lays out the facts of the disease-statistics, tests, drugs, clinical trials-plainly, often rather technically. The responses to Alice of her three grown-up children, who are also at risk of the disease; the struggles of her equally high-flying husband, a Harvard biologist; and Alice's own emotional responses, including fear, suicidal thoughts, shame and panic, are offered in semi-educational fashion, sometimes movingly, sometimes mechanically. Alice's address to the Alzheimer's Association Annual Dementia Care Conference is an affecting final public statement before her descent into fog and the loving support of her children. Worthy, benign and readable, but not always lifelike.
Favorite Passages
Alice sums up how we feel about winter here in New England…
On the night of Eric Wellman’s holiday party, the sky felt low and thick, like it was going to snow. Alice hoped it would. Like most New Englanders, she’d never outgrown a childlike anticipation of the season’s first snow. Of course, also like most New Englanders, what she wished for in December she’d come to loathe by February, cursing her shovel and boots, desperate to replace the frigid, monochromatic tedium of winter with the milder pinks and yellow-greens of spring. But for tonight, snow would be lovely.
Alice sums up how we feel about winter here in New England…
On the night of Eric Wellman’s holiday party, the sky felt low and thick, like it was going to snow. Alice hoped it would. Like most New Englanders, she’d never outgrown a childlike anticipation of the season’s first snow. Of course, also like most New Englanders, what she wished for in December she’d come to loathe by February, cursing her shovel and boots, desperate to replace the frigid, monochromatic tedium of winter with the milder pinks and yellow-greens of spring. But for tonight, snow would be lovely.
As we all do, Alice thought of the books she could get to later…
She looked at the rows of books and periodicals on her bookcase, the stack of final exams to be corrected on her desk, the emails in her inbox, the red, flashing voice-mail light on her phone. She thought about the books she’d always wanted to read, the ones adorning the top shelf in her bedroom, the ones she figured she’d have time for later.
She looked at the rows of books and periodicals on her bookcase, the stack of final exams to be corrected on her desk, the emails in her inbox, the red, flashing voice-mail light on her phone. She thought about the books she’d always wanted to read, the ones adorning the top shelf in her bedroom, the ones she figured she’d have time for later.
A reflection on being at the beach…
Alice watched the tide coming in, erasing footprints, demolishing an elaborate sand castle decorated with shells, filling in a hole dug earlier that day with plastic shovels, ridding the shore of its daily history.
Alice watched the tide coming in, erasing footprints, demolishing an elaborate sand castle decorated with shells, filling in a hole dug earlier that day with plastic shovels, ridding the shore of its daily history.
An image of shadows on a living room wall…
The late afternoon sun cast strange, Tim Burton shadows that slithered and undulated across the floor and up the walls.
The late afternoon sun cast strange, Tim Burton shadows that slithered and undulated across the floor and up the walls.
And this of babies’ feet…
Alice imagined holding them in her arms, their warm bodies, their tiny, curled fingers and chunky, unused feet….
Reviews from both Kirkus and Publishers Weekly pointed out Genova’s sometimes clinical and “clumsy” (Publishers Weekly) writing style. I might have approached Still Alice differently had I read these reviews first. However, I was immediately drawn into Alice’s shrinking world and appreciated all of the clinical information about Alzheimer’s and did not find it distracted from the text. I appreciated the “dramatized documentary” feel to the novel and thought the emotion of Alice’s story was well balanced with information about Alzheimer’s.
Alice imagined holding them in her arms, their warm bodies, their tiny, curled fingers and chunky, unused feet….
Reviews from both Kirkus and Publishers Weekly pointed out Genova’s sometimes clinical and “clumsy” (Publishers Weekly) writing style. I might have approached Still Alice differently had I read these reviews first. However, I was immediately drawn into Alice’s shrinking world and appreciated all of the clinical information about Alzheimer’s and did not find it distracted from the text. I appreciated the “dramatized documentary” feel to the novel and thought the emotion of Alice’s story was well balanced with information about Alzheimer’s.
This mother/daughter exchange is something we mothers all would hope for, and is none the less hoped forl when the mother is descending into the isolation of Alzheimer’s:
“Okay, what do you feel?”
“I feel love. It’s about love.”
The actress squealed, rushed over to Alice, kissed her on the cheek, and smiled, every crease of her face delighted.
“Did I get it right?” asked Alice.
“You did, Mom. You got it exactly right.”
Finished on January 30, 2009
Rating: 4.5/5 (Fiction Scale)
Pages: 262
Publisher: Simon & Schuster
Copyright: 2008
Format: Trade Paperback
Dedication: Iin Memory of Angie, For Alena
Epigraph: None
Saturday, July 12, 2008
The Third Angel
Opening a new Alice Hoffman novel is like opening the most anticipated gift of the year. You know you will again be swept away into a world like no other and meet characters unlike any you’ve met before. The Third Angel is Alice Hoffman at her gift-giving best. The worlds of 1999, 1966 and 1952 bring us coincidentally interwoven heroines joined one to the other by that cruelest of fate—being in love with the wrong man. And characters? How about a ghost, a hotel room and a heron! Hoffman tips the balance of narrative momentum as she takes us back in time or forward in time if you do, as Ms. Hoffman herself suggests, and read the interwoven stories back to front.From Publishers Weekly
Starred Review. In this elegant and stunning novel, veteran heartstring-puller Hoffman (Here on Earth; Seventh Heaven) examines the lives of three women at different crossroads in their lives, tying their London-centered stories together in devastating retrospect. High powered New York attorney Maddy Heller arrives in 1999 London having had an affair with Paul, her sister Allie's fiancé,; she must now cope with the impending marriage, and with Paul's terminal illness—which echoes the girls' mother's cancer during their childhood. Hoffman then shifts to heady 1966 London and to Frieda Lewis, Paul's future mother, who falls for a doomed up-and-coming songwriter knowing he will break her heart. The narrative then shifts further back, to 1952 and to Maddy and Allie's future mother, Lucy Green. A bookish 12-year-old wise beyond her years, Lucy sails with her father and stepmother from New York to London for a wedding. There, she becomes an innocent catalyst to a devastating event involving a love triangle. Hoffman interweaves the three stories, gazing unerringly into forces that cause some people to self-destruct (There was no such thing as too much for a girl who thought she was second best) and others to find inner strength to last a lifetime.
Quotes
On love:
There was good love and there was bad love. There was the kind that helped raise a person above her failings and there was the desperate sort that struck when someone least wanted or expected it.
On fairy tale love doomed from the start – Maddy and Paul have met purely by chance at Kensington Palace leaving flowers in memory of Princess Diana, and Maddy recalls the stories of Charles and Diana’s courtship:
When Maddy first heard the story, shed wanted to shout, What on earth is romantic about doomed love? But she’d said nothing. Only that Diana had been a foot not to know whom she was marrying in the first place. Maddy had seen an interview in which Price Charles had been asked if he was in love. “Whatever love is,” he had said with Diana sitting right next to him. She should have gotten up and walked away then.
The fatal first step into love:
It was so easy. She opened the door for him and the rest was like disappearing into the dark night to a place where no one could find you. No footsteps, no fingerprints, no evidence of any kind.
Clues forward and back, back and forward:
It was possible to read the story two ways: Front to back, the heron returned to his heron wife and the world of the sky. Back to front, he stayed with his one true love on earth.
Who is the third angel among us? Frieda’s father, a doctor who made house calls, said this of angels:
...there was the Angel of Life, the Angel of Death, and then there was the Third Angel. “It was either the Angel of Life or the Angel of Death who would ride in the back of the car when my father went on house calls, but he never knew which one it was until he arrived at his destination. Even then he said he was often surprised. It was hard to tell the difference between the two sometimes.” …and the third one? “Well, he’s the most curious. You can’t even tell if he’s an angel or not. You think you’re doing him a kindness, you think you’re the one taking care of him, while all the while, he’s the one who’s saving your life.”
Alice Hoffman on loving the wrong man (Hallmark Magazine May 2008):
The wrong man is who we believe we deserve. He’s the man we think we can save. He’s the one only we can understand or fix or relate to. He’s an outlaw, an outsider, a fallen angel, a blank slate, a charmer, a man we go back to despite his flaws. Just as there are women who stay with the wrong man, there are just as many who leave him, and still others who realize that, for a little while at least, the wrong man was, for reasons only they can determine, right for them.
Quotes
On love:
There was good love and there was bad love. There was the kind that helped raise a person above her failings and there was the desperate sort that struck when someone least wanted or expected it.
On fairy tale love doomed from the start – Maddy and Paul have met purely by chance at Kensington Palace leaving flowers in memory of Princess Diana, and Maddy recalls the stories of Charles and Diana’s courtship:
When Maddy first heard the story, shed wanted to shout, What on earth is romantic about doomed love? But she’d said nothing. Only that Diana had been a foot not to know whom she was marrying in the first place. Maddy had seen an interview in which Price Charles had been asked if he was in love. “Whatever love is,” he had said with Diana sitting right next to him. She should have gotten up and walked away then.
The fatal first step into love:
It was so easy. She opened the door for him and the rest was like disappearing into the dark night to a place where no one could find you. No footsteps, no fingerprints, no evidence of any kind.
Clues forward and back, back and forward:
It was possible to read the story two ways: Front to back, the heron returned to his heron wife and the world of the sky. Back to front, he stayed with his one true love on earth.
Who is the third angel among us? Frieda’s father, a doctor who made house calls, said this of angels:
...there was the Angel of Life, the Angel of Death, and then there was the Third Angel. “It was either the Angel of Life or the Angel of Death who would ride in the back of the car when my father went on house calls, but he never knew which one it was until he arrived at his destination. Even then he said he was often surprised. It was hard to tell the difference between the two sometimes.” …and the third one? “Well, he’s the most curious. You can’t even tell if he’s an angel or not. You think you’re doing him a kindness, you think you’re the one taking care of him, while all the while, he’s the one who’s saving your life.”
Alice Hoffman on loving the wrong man (Hallmark Magazine May 2008):
The wrong man is who we believe we deserve. He’s the man we think we can save. He’s the one only we can understand or fix or relate to. He’s an outlaw, an outsider, a fallen angel, a blank slate, a charmer, a man we go back to despite his flaws. Just as there are women who stay with the wrong man, there are just as many who leave him, and still others who realize that, for a little while at least, the wrong man was, for reasons only they can determine, right for them.
****
My delight in opening yet another Hoffman gift was enhanced by attending a reading/signing on April 22 where Ms. Hoffman spoke about third angels (the people who come into our lives unannounced and who make changes in our lives…third angels that we don’t even realize until much later who they were and what they have done for us) and the wrong man (who may truly have been the right man all along). Alice Hoffman started out as a voracious young reader who now delights us all with her writing. She says she was “lost in the magic of reading and is now lost in the magic of writing.” And the ghost in Room 708? Real.5/5 (General Fiction Scale)
Shaye Areheart Books [Random House Imprint] (2008)
Hardcover
278 pages
Finished: April 2008
Thursday, March 20, 2008
Alice Hoffman

April 8 will bring us Alice Hoffman's new book, The Third Angel. Her website has been completely redesigned and is exquisite--just as the author herself. I am looking forward to this new addition to the many hours of reading bliss Ms. Hoffman's other books have brought to me.
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